cin3matic contraband – chinese odyssey 2002
i should begin by admitting that i had no clue what to expect when i got this movie. i had heard abt it b4, but didnt really read up on it. not that i really had to, since the dvd had tony leung, faye wong, chang chen, and vicki zhao on the cover. and oh yea…they also nicely mention wong kar wai is the producer. convenient.
set in old china, tony leung is dragon, a local bully and bandit, and vicki zhao is phoenix, his tomboy sis and the owner of an inn. chang chen and faye wong are the emperor and princess, who are bored shitless in the imperial palace and are always plotting ways to escape from their queen mother. they split up during one plotted escape, so while the focus is put on the emperor and hes dragged back to the palace, the princess walks out the front gates dressed like a man. she promptly gets her money stolen and runs into dragon, who wants to help her/him out and wants to set her/him up with his sis…thinking shes a man. but he/she gives most of her/his attention to dragon, which makes phoenix cry. after the emperors guards come and take her/him away (after which she jus escapes again), dragon sets out to bring her/him back so she/he can marry phoenix and phoenix can become a princess. at the same time, the emperor asks the queen mother if he can go out and search for the princess (while in actuality, he jus wants to get the hell out)…and as he searches, he comes upon the inn and meets phoenix. phoenix decides to forget abt the princess/emperor and falls in love with this emperor, even tho she thinks hes jus another bandit.
whew…
if that brief synopsis is making ur head hurt, try writing it. the gist of it is that this movie is weird, stupid, and pointless. all in a good way too. yea…exactly. its a simple enough plot, and it takes many conventions of hk cinema (including many incited by wong kar wai himself) and promptly takes a dump on it and tosses it around. the result is a crazy romp thru old china thru the eyes of crazy love-struck ppl who cant decide whether they’re male or female. in between the flying one-hundred blade attacks, dragon and the princess getting stuck in a mud field and asking a goose for help, and the emperor sporting an afro and inventing high-heels, theres this sort of meandering pointlessness that guides the movie towards all kinds of humor. by the last quarter however, much of the comedy gives way to earnest questioning of their search for love. while this might be a slightly abrupt change in step, it doesnt get bogged down in over-wrought melodrama, primarily b/c its what all the meandering led to. that, and they wouldnt let it get too heavy…it might collapse on its own lite-hearted foundation. by the end of it, ur still scratching ur head…dont get me wrong. ur wondering how it all led to this. id better watch this again tonite jus to clarify some things. yup.







